AURIAAN

Guided tour · One artist · London · 1775–1851

J. M. W. Turner

Storms, fire, moonlight and golden haze, in order of date: from a Welsh castle to a storm at sea.

Start this tour in Auriaan

Opens the interactive flight at this tour, with a guide's voice. It needs a modern browser; the same works are shown below.

Works
11
Time
about 17 min
Collections
4

About this tour

Joseph Mallord William Turner, the son of a London barber, painted light and weather like no one before him. Here are eleven of his works from four museums, in order of date. At every work, look first, then discover.

We begin on the coast of north Wales in 1798. Turner is 23.

The 11 works

  1. Conway Castle, North Wales – Joseph Mallord William Turner – 1798
    J. Paul Getty Museum · CC0 · descriptions CC BY 4.0 · 95.GC.10 · View at the museum
    Licence: CC0 (descriptions CC BY 4.0)

    Work 1 of 11

    Conway Castle, North Wales

    Joseph Mallord William Turner · 1798 · J. Paul Getty Museum, Los Angeles

    Down on the shore, what are the fishermen doing?

    Struggling to pull their boats ashore in the storm. Next to the sea and the castle, they look tiny.

    Turner made several sketching trips to Wales in the 1790s. Here the sun breaks through the clouds onto the castle.

  2. Harlech Castle, from Tygwyn Ferry, Summer's Evening Twilight – Joseph Mallord William Turner – 1799
    Yale Center for British Art, Paul Mellon Collection · Public Domain · B1977.14.76 · View at the museum
    Licence: Public Domain

    Work 2 of 11

    Harlech Castle, from Tygwyn Ferry, Summer's Evening Twilight

    Joseph Mallord William Turner · 1799 · Yale Center for British Art, New Haven

    Where is Harlech Castle?

    Far away on its rock: a small, square silhouette against the evening sky.

    Turner painted the soft light just after sunset. That year, aged 24, he was elected an associate of the Royal Academy.

  3. The Victory Returning from Trafalgar, in Three Positions – Joseph Mallord William Turner – about 1803–6
    Yale Center for British Art, Paul Mellon Collection · Public Domain · B1981.25.634 · View at the museum
    Licence: Public Domain

    Work 3 of 11

    The Victory Returning from Trafalgar, in Three Positions

    Joseph Mallord William Turner · about 1803–6 · Yale Center for British Art, New Haven

    Look at the three big ships. What do you notice?

    They are one and the same ship, HMS Victory, seen from three sides.

    Nelson's flagship won at Trafalgar, but Nelson was killed.

  4. The Junction of the Thames and the Medway – Joseph Mallord William Turner – 1807
    Widener Collection · 1942.9.87 · View at the museum
    Licence: CC0 (Open Access)

    Work 4 of 11

    The Junction of the Thames and the Medway

    Joseph Mallord William Turner · 1807 · National Gallery of Art, Washington, D.C.

    In the rowing boat, one man is in trouble. Can you find him?

    Near the stern, he hangs over the side, and another man holds on to him.

    Four sailing ships lean in the wind under a dark sky. Far off, sunlight breaks through onto one ship.

  5. Mortlake Terrace – Joseph Mallord William Turner – 1827
    Andrew W. Mellon Collection · 1937.1.109 · View at the museum
    Licence: CC0 (Open Access)

    Work 5 of 11

    Mortlake Terrace

    Joseph Mallord William Turner · 1827 · National Gallery of Art, Washington, D.C.

    Someone is walking along the top of the wall. Who?

    A black dog. Beside it, barely visible, a small white dog puts its front paws on the wall.

    A late afternoon by the Thames. The low sun turns everything gold, and boats full of people drift by.

  6. Staffa, Fingal's Cave – Joseph Mallord William Turner – exhibited 1832
    Yale Center for British Art, Paul Mellon Collection · Public Domain · B1978.43.14 · View at the museum
    Licence: Public Domain

    Work 6 of 11

    Staffa, Fingal's Cave

    Joseph Mallord William Turner · exhibited 1832 · Yale Center for British Art, New Haven

    What is battling the storm, trailing smoke?

    A steamboat, puffing a long trail of dark smoke into the storm.

    This was the first Turner painting to go to America. Its buyer at first complained that it looked indistinct; Turner suspected the varnish had clouded on the voyage, and advised wiping it.

  7. The Burning of the Houses of Lords and Commons, 16 October 1834 – Joseph Mallord William Turner – 1835
    Bequest of John L. Severance · 1942.647 · View at the museum
    Licence: CC0 (Open Access)

    Work 7 of 11

    The Burning of the Houses of Lords and Commons, 16 October 1834

    Joseph Mallord William Turner · 1835 · Cleveland Museum of Art, Cleveland

    Boats are heading somewhere. Where to?

    Toward the flames. A low tide made it hard to pump water, and slowed the steamers towing fire engines.

    Turner saw the fire himself. In the painting he made the flames even higher than they were.

  8. Keelmen Heaving in Coals by Moonlight – Joseph Mallord William Turner – 1835
    Widener Collection · 1942.9.86 · View at the museum
    Licence: CC0 (Open Access)

    Work 8 of 11

    Keelmen Heaving in Coals by Moonlight

    Joseph Mallord William Turner · 1835 · National Gallery of Art, Washington, D.C.

    Turner signed this painting in an unusual place. Can you find it?

    On the buoy: his initials, JMWT.

    On the right, by firelight, men shovel coal onto the ships. On the left, the moon lights up the water.

  9. Modern Rome – Campo Vaccino – Joseph Mallord William Turner – 1839
    J. Paul Getty Museum · CC0 · descriptions CC BY 4.0 · 2011.6 · View at the museum
    Licence: CC0 (descriptions CC BY 4.0)

    Work 9 of 11

    Modern Rome – Campo Vaccino

    Joseph Mallord William Turner · 1839 · J. Paul Getty Museum, Los Angeles

    Day is ending, yet something is already in the sky. What?

    The moon, a pale disc in the haze, while the sun sets behind the Capitoline Hill on the right.

    Turner showed it with a line from Byron: "The moon is up, and yet it is not night."

  10. The Dogana and Santa Maria della Salute, Venice – Joseph Mallord William Turner – 1843
    Given in memory of Governor Alvan T. Fuller by The Fuller Foundation, Inc. · 1961.2.3 · View at the museum
    Licence: CC0 (Open Access)

    Work 10 of 11

    The Dogana and Santa Maria della Salute, Venice

    Joseph Mallord William Turner · 1843 · National Gallery of Art, Washington, D.C.

    Turner signed this one too. Where?

    His initials, JMWT, as if written on the wall.

    Venice dissolves in a golden haze: the customs house, the Dogana, and beyond it the white domes of the Salute church.

  11. Van Tromp, going about to please his Masters, Ships a Sea, getting a Good Wetting – Joseph Mallord William Turner – 1844
    J. Paul Getty Museum · CC0 · descriptions CC BY 4.0 · 93.PA.32 · View at the museum
    Licence: CC0 (descriptions CC BY 4.0)

    Work 11 of 11

    Van Tromp, going about to please his Masters, Ships a Sea, getting a Good Wetting

    Joseph Mallord William Turner · 1844 · J. Paul Getty Museum, Los Angeles

    Someone on board is waving. Can you find him?

    On the foredeck, a man in a white uniform waves with confidence, while spray breaks over the bow.

    Probably the Dutch admiral Cornelis van Tromp, dismissed in 1666 and reconciled with his masters in 1673. Turner was 69.

The end of the tour

Light and weather.

Storms, fire, fog and sun: Turner made light and weather the subject itself. He died in London in 1851, aged 76, and left hundreds of paintings and thousands of drawings to the nation.

Questions at the end

Where did Turner sign Keelmen Heaving in Coals by Moonlight?
  • On a floating buoy (correct)
  • On a ship's sail
  • In the moon

His initials, JMWT, are on the buoy. In the Venice painting they are on a wall.

What did Turner make bigger than it was in The Burning of the Houses of Lords and Commons?
  • The flames (correct)
  • The moon
  • The bridge

He saw the fire himself, but painted the flames even higher than they were.

Which ship did Turner show three times in one painting?
  • HMS Victory, Nelson's flagship (correct)
  • The Mayflower
  • The Titanic

He painted the Victory from three sides, all in one picture.

Start this tour in Auriaan

Works from these collections

More tours

Back to the start page · all tours · press